等待^方舟

一、《等待^方舟》讲述的是什么故事？

《等待^方舟》Set in an u^[=nderg,#r ound dungeon inhab\.?+ited by /bund;=.led,\ r:$$(agged human be,)i?*./ng^;s, after th%
/!e nuclear holocaus=_t%. Th+: e# s/]-tor?!y follows @the#!^ wa.]n_/_/de# \`ri/ngs o$f a *)
hero through the situation
:s of surv_ +ival. P
@^eople ] wai;.t for the Ark to arri% +v(?!%[e *?and .re\_sc(%ue`[, them while thei=? r habitat falls apart #.　　De=^]lving ?deep into the`) d u:_sty an)d  [long- abandond*# ed vaul_]=!ts of b!` -cinema in; =@];se@a_.rch of lo$st ?gem s always l;*eaves  me with a bitte(_rsweet t -\aste. On one hand [)the dis-!(c#((overy o(=f une#xpe+!*$cted gems wher:e no one wou+ =ld think them#= possib=le,( is a rewa.`*%
r ^$ding experience. O#n the other
hand t?-hou gh it makes one. wond?`er how, man+
y / of ;the@@)[se remarkable/; low-b*udget =@oddities, !?
personal$:-_ love affairs of directors never! quite famo=#u%s (#and
 now all\_ but forgotten,@!( h ave almo+st forever /slipped fr `-om memory　　n any c/ase )what we have he)re?] is :a @:=littl#-?e #[p+^ost-apocalyptic gem f$rom P]?ol_()and that is ^really: better than it has any right to. The dy(+.-@stopian near] future of) O-BI, O-BA finds a gro?(;up of survivo\+r/s of the -+nucle(ar/ war t`_:[hat [ravag?ed the Ea)rth ]/inhabiting an %underworl$d [`c@\oncre:te * =bunker and bid%-;i-n$g+ - $their time a\ /=$s they wait for th],@e myster-=ious [!Ark, an air s! hip of some kind that ?.*will come) *and save]_ them-_. The Ark prove =-+s,(] to be ]an ela%borate hoax-\, caref#[\ully$/ desig)=ned to give`[ h?ope to the mal^;,(nourished and de\$spe$rate ! deni; z=(ens+ of the bunker?, while
/) in the $meantime the dome th`at\ separates their!% ?:mi* `s#erabl=e= existence f*rom the nuc]lear winter;; o:@u[tside .\ is- slowly cavin-)- g in.　　What(\ first st_$r ike,=^$d me abou
)t the`^^ movie is @ the desi gn of %* the bu^))nk,%(
?er/ an;d th%- e depiction of t]he su!,=rvivors. !Th;#e survivors are gaun@t, fil!!(thy and terrible-l.\ooki n?`,;g^ penitents,, dr@esse )d in rags@$ and@[ a`imlessly wander/;` ing
t^_@*)he ne-on-lit ha;@$lls\ of th^?e @/bunker like a#*?utom-^atons. T*he b =[unker is a = rundown, seedy p_/lac!!e, ),with ?),br ight@ neon light!s peering f#ro/m $  _all sides like+ th[ e^ eyes of mal-\$^ignant be$--ast(+s.　-@.*　On o@\ne ha[(; nd it is a @\?sl:i[]*ghtl=+y 80:
's _]depiction of =t[he dystopian!? *future but the m/ovi;e +ne+ver$] stoo ps dow \n:* to MAD MAX cheese. Inst.`ead it []+,c?*o]mbines b=iti)?ng political satire)^? with/[ the bleak outlook of a world with no futu.re,/\,- blac=+*[k %comed./$y/ wi.th *#barbs on apathy, religi: /!on an)%d power . Th.e survivor!s, fo]=`r exa`-*mple, are fe?(,/d so%?me kind -;of flour dr% opping` from ;a tu+!be that 
ho%*vers in ] /;the_( air - later. on@! we discov#![er t
he$? food supervisor uses ^\\b \o^$)ok]=s]  ;and the Bible itself as filler for this=@ m ^eagre meal.%;? There a)-re many such short% symbolic! tou`@ches, p
]!erha`p. s not life-changing o-;#!r \=faith-res+$)tori );ng,#$ ye[t )playful, clev:er and inspi [red.　　One thing is fo?r sure; O-%BI, O-BA is+
not your  run-of]%-the-mill s _ci-fi schlo^
%ck. It overcomes$(? its modest %budget+ *with creativity and `
has genuine artist=`ic a*spira:(t?^=io:ns$$! both from a wri%tin`^[/$g and d:)_irecting per)-spective. My op\]inion is that it should have been filmed in ].] bla+ck and #%white . i,;nstead[[^ of colour though./+ The director uses atmo s[pheric(=\ light\@^ and sha ]dow to) great$%. effect and!,- it would have regis tered ]ev+e^/n bett^+er in ;% stark black and white. T@#he blue-! green neon on the other hand out!$.stays \its w elcome after a while=:. J#-ust [a :-m
inor gr[\^ipe in an othe[#r...wise solid b-m?@*ovie `
+]with its heart, se`.t :#*in a`;ll the r]ight pla!ces.　　Imagine,( a less[= ble,!ak T@,(HE ROAD (!Co rmac M)`c+Carthy) be# ?*]ing inje* ct+ed with the s^]atire an+*d h_um
_+!our of DR.STRANGELOVE and you're ge(=tting/
$ t#?\here. See ,it
$if you[+/ can  find it.

二、《等待^方舟》科幻片的主要内容

《等待^方舟》是一部科幻片，由导演：皮奥特尔·舒尔金执导，主演：耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔。《等待^方舟》Set in an u^[=nderg,#r ound dungeon inhab\.?+ited by /bund;=.led,\ r:$$(agged human be,)i?*./ng^;s, after th%
/!e nuclear holocaus=_t%. Th+: e# s/]-tor?!y follows @the#!^ wa.]n_/_/de# \`ri/ngs o$f a *)
hero through the situation
:s of surv_ +ival. P
@^eople ] wai;.t for the Ark to arri% +v(?!%[e *?and .re\_sc(%ue`[, them while thei=? r habitat falls apart #.　　De=^]lving ?deep into the`) d u:_sty an)d  [long- abandond*# ed vaul_]=!ts of b!` -cinema in; =@];se@a_.rch of lo$st ?gem s always l;*eaves  me with a bitte(_rsweet t -\aste. On one hand [)the dis-!(c#((overy o(=f une#xpe+!*$cted gems wher:e no one wou+ =ld think them#= possib=le,( is a rewa.`*%
r ^$ding experience. O#n the other
hand t?-hou gh it makes one. wond?`er how, man+
y / of ;the@@)[se remarkable/; low-b*udget =@oddities, !?
personal$:-_ love affairs of directors never! quite famo=#u%s (#and
 now all\_ but forgotten,@!( h ave almo+st forever /slipped fr `-om memory　　n any c/ase )what we have he)re?] is :a @:=littl#-?e #[p+^ost-apocalyptic gem f$rom P]?ol_()and that is ^really: better than it has any right to. The dy(+.-@stopian near] future of) O-BI, O-BA finds a gro?(;up of survivo\+r/s of the -+nucle(ar/ war t`_:[hat [ravag?ed the Ea)rth ]/inhabiting an %underworl$d [`c@\oncre:te * =bunker and bid%-;i-n$g+ - $their time a\ /=$s they wait for th],@e myster-=ious [!Ark, an air s! hip of some kind that ?.*will come) *and save]_ them-_. The Ark prove =-+s,(] to be ]an ela%borate hoax-\, caref#[\ully$/ desig)=ned to give`[ h?ope to the mal^;,(nourished and de\$spe$rate ! deni; z=(ens+ of the bunker?, while
/) in the $meantime the dome th`at\ separates their!% ?:mi* `s#erabl=e= existence f*rom the nuc]lear winter;; o:@u[tside .\ is- slowly cavin-)- g in.　　What(\ first st_$r ike,=^$d me abou
)t the`^^ movie is @ the desi gn of %* the bu^))nk,%(
?er/ an;d th%- e depiction of t]he su!,=rvivors. !Th;#e survivors are gaun@t, fil!!(thy and terrible-l.\ooki n?`,;g^ penitents,, dr@esse )d in rags@$ and@[ a`imlessly wander/;` ing
t^_@*)he ne-on-lit ha;@$lls\ of th^?e @/bunker like a#*?utom-^atons. T*he b =[unker is a = rundown, seedy p_/lac!!e, ),with ?),br ight@ neon light!s peering f#ro/m $  _all sides like+ th[ e^ eyes of mal-\$^ignant be$--ast(+s.　-@.*　On o@\ne ha[(; nd it is a @\?sl:i[]*ghtl=+y 80:
's _]depiction of =t[he dystopian!? *future but the m/ovi;e +ne+ver$] stoo ps dow \n:* to MAD MAX cheese. Inst.`ead it []+,c?*o]mbines b=iti)?ng political satire)^? with/[ the bleak outlook of a world with no futu.re,/\,- blac=+*[k %comed./$y/ wi.th *#barbs on apathy, religi: /!on an)%d power . Th.e survivor!s, fo]=`r exa`-*mple, are fe?(,/d so%?me kind -;of flour dr% opping` from ;a tu+!be that 
ho%*vers in ] /;the_( air - later. on@! we discov#![er t
he$? food supervisor uses ^\\b \o^$)ok]=s]  ;and the Bible itself as filler for this=@ m ^eagre meal.%;? There a)-re many such short% symbolic! tou`@ches, p
]!erha`p. s not life-changing o-;#!r \=faith-res+$)tori );ng,#$ ye[t )playful, clev:er and inspi [red.　　One thing is fo?r sure; O-%BI, O-BA is+
not your  run-of]%-the-mill s _ci-fi schlo^
%ck. It overcomes$(? its modest %budget+ *with creativity and `
has genuine artist=`ic a*spira:(t?^=io:ns$$! both from a wri%tin`^[/$g and d:)_irecting per)-spective. My op\]inion is that it should have been filmed in ].] bla+ck and #%white . i,;nstead[[^ of colour though./+ The director uses atmo s[pheric(=\ light\@^ and sha ]dow to) great$%. effect and!,- it would have regis tered ]ev+e^/n bett^+er in ;% stark black and white. T@#he blue-! green neon on the other hand out!$.stays \its w elcome after a while=:. J#-ust [a :-m
inor gr[\^ipe in an othe[#r...wise solid b-m?@*ovie `
+]with its heart, se`.t :#*in a`;ll the r]ight pla!ces.　　Imagine,( a less[= ble,!ak T@,(HE ROAD (!Co rmac M)`c+Carthy) be# ?*]ing inje* ct+ed with the s^]atire an+*d h_um
_+!our of DR.STRANGELOVE and you're ge(=tting/
$ t#?\here. See ,it
$if you[+/ can  find it.

三、被称为科幻片的开先河之作的《等待^方舟》，是皮奥特尔·舒尔金最好的作品吗?

从皮奥特尔·舒尔金斩获科幻片最佳导演我就觉得这部《等待^方舟》是他最好的科幻片。虽然皮奥特尔·舒尔金后来还拍出来了评价特别好的科幻片，但是《等待^方舟》是他科幻片的代表作品。

四、《等待^方舟》是哪一年上映的？

《等待^方舟》是皮奥特尔·舒尔金于1985年拍摄的一部经典科幻片。此片开创其它当代科幻片的先河，《等待^方舟》上映时票房稳坐前三，创下当年纪录。当时耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔均为最佳主角，耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔以精彩演技和突出形象，奠定在其它影坛地位。耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔饰演角色造型多年后仍为人所模仿。皮奥特尔·舒尔金之前曾被人怀疑其能力，而《等待^方舟》却奠定皮奥特尔·舒尔金科幻片风格。《等待^方舟》首映时曾获海外科幻片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1985年代）其它（其它）优秀科幻片齐名。

五、《等待^方舟》为什么可以成为经典？

提起其它，人们就肯定会说出《等待^方舟》的名字。这部由皮奥特尔·舒尔金导演，耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔主演的《等待^方舟》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连皮奥特尔·舒尔金导演和耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔，都没想到这部科幻片会得到这样好的反响。皮奥特尔·舒尔金先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《等待^方舟》开拍之前，耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔已经有几年无戏可拍，而耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔主演的科幻片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在科幻片中投入的热情，是我们难以想象的，其实《等待^方舟》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典科幻片，也成就了他们自己！

六、如何评价《等待^方舟》?

《等待^方舟》口碑非常好深受广大观众喜爱，《等待^方舟》一经播放立刻引来无数人点赞，不仅耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔演的好而且该科幻片故事情节也非常紧凑，91短视频（xifuxin.com）观看起来特别流畅同时还能扣人心弦，虽然目前《等待^方舟》收视率一般但是该片目前受欢迎程度已经名列前茅。该科幻片主演耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔，她在该科幻片中的演技可圈可点，受到观众认可。